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Displaying (1) Comments | Comment on this piece | Report objectionable art
agree that we have an infinity of staencs available. For my growth as a tester, I want to use all of the wealth that professional critique of the arts has to offer to improve the way I perceive software and how I relate to others through software. That's what I identified with in Chris's response.It is for this reason that I think this type of critique should be used to train testers. Teaching people how to be better testers or how to be testers at all has been a huge topic of late. For me it can be difficult to focus/defocus or to think outside of I know and have seen before, yet this is crucial for testing. To critique art, especially modern art, it is necessary for me to reach outside the boundary of my personal comfort zone and find a way to appreciate and judge something new and, perhaps, uncomfortable that I then have to communicate effectively to someone else. When I say that I have to appreciate something that might make me uncomfortable, that means that even if a painting is not something I would want in my house because I don't like it, that doesn't necessarily mean it's a bad painting. In that case, I have to learn how to separate my idea of quality from someone elses. All of this is in addition to learning how to carefully observe what's in front of me. It is a big plus for the context-driven community if this type of exploration is happily leveraged.
By: | Dec 07, 2012 | Report Comment
Clouds
robroth
from both sides
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